Amu Darya: River to a Missing Sea' is a short film exploring the memories of the Amu Darya - the Central Asian river that no longer reaches its destination. Through oral histories, the film offers an insight into how Uzbek and Karakalpak communities are dealing with the desiccation of the Amu Darya and the downstream Aral Sea; how the USSR turned the Aral Sea from the world's fourth largest lake into the world's youngest desert. Through tales of loss, adaptation, and hope, River to a Missing Sea offers the human story of an environmental disaster.

Battling deep depression, Jaeyoun returns to her roots on the island of Marado, South Korea, to visit her family of female free divers known as haenyeo. To her surprise, she finds a connection to nature and her ancestors that literally saves her life.

This investigative video report reveals how the Republic of Congo has granted dozens of destructive mining permits in protected forest areas that are supposed to generate carbon credits under a World Bank climate funding program. Shot in the Sangha region in the heart of the Congo Basin, the report exposes environmental degradation, river pollution, and the exclusion of Indigenous communities from the forest. Filmed with the support of the Pulitzer Center, the video offers a rare look into the raw contradictions of the nation’s climate policy.

Mikuba transports us deep into the cobalt veins of Kolwezi, the epicenter of the global green energy race, where artisanal/small scale miners fiercely guard their ancestral heritage. Through the journey of Mama Leance and her encounter with Master Elder Kangalele, the film unveils the human and spiritual dimensions of a land trapped between exploitation and resilience.

“After The World Ends… It Begins Again” tells the story of three generations of women from West Bengal’s Kheria Sabar tribe, whose lives embody a quiet, perpetual determination to resist cultural erasure. Most historical narratives about Sabar people focus on the explicitly physical, punitive violence that Sabar men suffered — from arbitrary detention to custodial killings — a dark past which mustn’t be understated. But this film asks — what other violences and crises have been festering in the wake of such overt persecution? What other bodies have suffered more “invisible” wounds? The present climate crisis looming over Sabar ecologies is re-imagined in the film as a morphed, urgent extension of state violence, now leaving an undeniably gendered imprint. Biodiversity loss, food insecurity, loss of traditional livelihoods, and outbound migration due to untenable native ecologies, have been impacting Sabar women as much as men — and yet, their unique narratives are seldom explored.

An urgent portrait of the people of the Zanskar valley and their struggle to survive extreme living conditions aggravated by climate change

Two lifelong rivals Ratima and Kalima have been appointed caretakers of their empty village. Now in the twilight of their lives, they must forget their past and help each other survive a long and harsh winter.

The film follows the journey of three women who work at a brick kiln on the outskirts of a city in North India, in the midst of extreme rains and a global pandemic. What unfolds is a story of mobility, debt and the everyday lives of the caste-oppressed women, whose labour is both crucial and too often invisible, in the story of a rapidly urbanizing global India.

A fisherwoman takes on a powerful local politician by hosting a feast for him using an unforgettable secret dish that could save her dying lake.

On International Dawn Chorus Day (May 3, 2020), birds from six continents join a Zoom call. They gossip about storms and cats and wires and dates. They talk about Egyptian filmmaker Shady Habash, known for his satiric anti-dictator music videos, who died the day before in Cairo’s Tora prison. They wonder about Egyptian queer activist Sarah Hegazi, incarcerated for flying a rainbow flag at a Cairo concert, living as a refugee in Toronto.

A daring documentary short film that explores and connects to our sexuality by delving into the heart of Ms T’s Slut Club, a pole dancing show in Cape Town created for women and the LGBTQIA+ community. With performers sharing their experiences of reclaiming their bodies and sexuality, finding empowerment through self-exploration and expression, the film acts a powerful tool of advocacy for sex workers.

This documentary follows the journey of Babban – a Muslim, transgender forest guard in Uttarakhand – as they confront societal indifference by seeking solace in nature while grappling with an unexpected HIV diagnosis. The film tenderly captures Babban’s struggle to reconcile their identity and familial misunderstandings in rural India.

This film follows four revolutionaries who are finding creative means to fight against the military junta. Some take up arms while struggling to stay true to their commitment to non-violence, while others engage in “artivism”. Myanmar is one of the deadliest conflict areas in the world, yet little international attention is paid to the ongoing brutal oppression or to the courageous resistance to it.

This film explores the unseen struggles faced by two trans men, Nishant and Anu, as they navigate the emotional and physical complexities of menstruation in a deeply conservative society. In Nepal, where menstruation is still shrouded in stigma and linked exclusively to womanhood, these men’s experiences illuminate the intersection of identity, body and gender.

A look at Sri Lanka’s 2022 Aragalaya protests from a movement-building and mobilization perspective, centering around interviews with core activists belonging to different ethnic, linguistic and professional backgrounds. These leaders discuss how they define and are working towards a “system change” which they envisioned through the protest movement.

An indigenous woman in Jharkhand, Nehma takes up work as a data labeller after leaving her partner. As she trains algorithms with patience and care, she confronts the deep biases coded into AI, questioning whether technology can ever hold space for an indigenous way of seeing.